Almeida Junior

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.
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Almeida Junior Tightening the Harness oil painting


Tightening the Harness
Måleriet identifieringen::  65986
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Tightening the Harness
1895 Oil on canvas 64 x 88 cm (25.20 x 34.64 inches)
1895 Oil_on_canvas 64_x_88_cm_(25.20_x_34.64_inches)
   
   
     

Almeida Junior Adolfo Augusto Pinto with His Family oil painting


Adolfo Augusto Pinto with His Family
Måleriet identifieringen::  65989
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Adolfo Augusto Pinto with His Family
1891 Oil on canvas
1891 Oil_on_canvas
   
   
     

Almeida Junior Fuga para o Egito oil painting


Fuga para o Egito
Måleriet identifieringen::  65991
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Fuga para o Egito
1881 Oil on canvas 333 x 226 cm (131.10 x 88.98 in)
1881 Oil_on_canvas 333_x_226_cm_(131.10_x_88.98_in)
   
   
     

Almeida Junior The Inopportune oil painting


The Inopportune
Måleriet identifieringen::  65994
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The Inopportune
1898 Oil on canvas 145 x 97 (57.09 x 38.19 inches)
1898 Oil_on_canvas 145_x_97_(57.09_x_38.19_inches)
   
   
     

Almeida Junior Rio das Pedras Spot Landscape oil painting


Rio das Pedras Spot Landscape
Måleriet identifieringen::  65997
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Rio das Pedras Spot Landscape
1899 Oil on canvas 57 x 35 cm (22.44 x 13.78 inches)
1899 Oil_on_canvas 57_x_35_cm_(22.44_x_13.78_inches)
   
   
     

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     Almeida Junior
     (8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

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